Archive | March, 2021

Zach Snyder’s Next Possible Moves!

31 Mar

-For the Uncensored!

Mandatory Credit: Photo by Jim Smeal/Shutterstock (9327860fo) Zack Snyder Producers Guild Awards, Arrivals, Los Angeles, USA – 20 Jan 2018

If we’re being honest, no one really thinks about Zach Snyder and how he could really make a film that has a lot of drama in it. If Zach Snyder has time, he’s probably working on the next Justice League film for HBO Max and it seems to me like the Snyder universe might lead into Injustice: Gods Among Us. Unlike many other people, I didn’t mind Sucker Punch. It was an interesting idea, and it had the oddness of 300, met with Ken Kesey’s seminal book, One Flew over the Cookoos Nest (with a slight touch of Terry Gilliam’s Brazil). 

            As an exercise, I would always sit around pretending up a filmmakers next film, or project. Films used to fascinate me, but the way studios interfere with a filmmakers vision, censorship is a hot topic in the movie industry. The movie industry always thinks about how many seats they can fill instead of giving people a cinematic artistic experience. If people aren’t given a cinematic experience in a big budget film, then why can’t Zach Snyder give us his own vision of a dark and gritty world in DC comics, then why even go to a movie anymore?

            With Todd Phillips Joker as a major success story for a comic book movie that played to Alan Moore’s vision of the Killing Joke, but made Arthur far more relatable. But again, Zach Snyder has to overcome a lot now. If he does do a film he has to maintain an artistic sensibility. Even 300 had visual flare that can’t be matched. With movies in a death clutch in 2021, I would kill for a movie with bravado, and at least some flare.

            If there is anything that Zach Snyder should do there are a few key projects that he should take on. The first, which is known to all who listen to entertainment news, is the Fountainhead. Yes, Ayn Rands masterpiece about creativity and how man should not bend to anyones will except there own. It’s impossible to think that Zach Snyder could possibly make a complete versio of the film as much of the 700 plus page novel about creativity, architecture, and one man’s will to fight the system, is the epitome of a man fighting off studio executives in Hollywood. 

            If you think about it, all his films share that same desire of rebellion. The Spartans stand up against the Persians in 300, even if they knowingly will die in the process. Sucker Punch, the main characters are trying to escape a mental hospital, but much of the fantasy in there head is questionable, as they are battling with there insanity. Maybe Don Quixote by Cervantes should be next for Zach Snyder?

            It’s far more questionable if Zach Snyder only continues with comic book films. But there is one film that Zach Snyder could get right, where the film failed before. Max Payne. Zach Snyder now has personal experience with tragedy, and he could put much of his angst and rage into Max, while pulling back from the horror movie aspect, and focusing on the reality of Max’s struggle with losing his family. Again, the Max Payne franchise deserved a better translation than the Mark Whalberg version, but then, no studio has been able to translate a video game into a film. Last of Us is making the right movie to be a series, instead of a film. 

            Plus, Zach could use the slow motion to his advantage, and it wouldn’t be out of place. I do hope that Zach Snyder continues to make films and his vision is respected as I would my own. Yes, I did dogpile on him like the rest, but I gave it up when Autumn, his daughter, committed suicide. 

            I think that personal tragedies do help a creative person get into a darker headspace. It gives there movies more depth, and art is and always remains a therapeutic way to release your sadness, pain, and anger. 

            Considering that if Zach Snyder does anything, it might have to be specifically for HBO Max. They gave him creative freedom, and that surprise scene at the end was really amazing. It made me want to revisit Batman V Superman. I think it’s impossible to deny now that Zach Snyder deserves a crack at making a dark vision of super hero films in the way it needs to be done. 

            But again, I think if he got Darren Aronofsky to write his scripts, Snyder might have a really good direction.  

-Louis Bruno is the author of more than 15 books, including, The Michael Project, The Michael Project: Book 2: The Lost Children of Eve, Thy Kingdom Come, The Disintegrating Bloodline, Apocalypse Soldier, Hierarchy of Dwindling Sheep. His books can be found on Amazon, Barnes and Noble, and Lulu. He can be found on Gab, https://gab.com/thereallouistbruno, Minds https://www.minds.com/lbruno8063/, and Parlerhttps://parler.com/profile/therealLouistbruno/posts. Instagram @lbrruno8063 and @louisbrunoofficialbook. He has written for the Intellectual Conservative and Ephemere. Also, he writes on https://louisbruno.substack.com, where you can support him directly. His latest, Come Home, Young One, a dark fantasy novel is out now at Lulu.com. Link is here: https://www.lulu.com/en/us/shop/louis-bruno/come-home-young-one/hardcover/product-pw8q7z.html?page=1&pageSize=4.  His next series, City of Sand, will be available sometime this year.

Also available on podcast too: 

www.breaker.audio/the-real-louis-t-brunos-blog

https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy81MDA5ZDY3MC9wb2RjYXN0L3Jzcw==

https://pca.st/504t7jxr

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Doom Eternal’s Difficulty Controversy

31 Mar

-For the Uncensored

I know the Doom Eternal Community is talking about this, but the thing is, how can something be difficult without making someone quit gaming forever? I see that gamers need that Dark Souls type of thrill that would make me want to quit games forever. Yes, I do want to enjoy games. I get the idea of playing a game on a harder difficulty and getting cool skins, but players should want to play that harder difficulty when they are ready. I’m probably the only person who has legitimately sat down to try and play the Mein Leiber difficulty in Wolfenstein 2: The New Colossus. I have only gotten to Section F, and that’s not that far. So, I do understand that many gamers want a thrill when they play a game. They want to show that game who’s boss, but never walk outside and get some air, or try and socialize with people.

            Just kidding, gamers. I know you guys talk to your parents. But that’s not good enough. Again, I’m just yanking your junk here. Don’t get too comfortable with it, though. I’m not a gentle soul. 

Source: https://www.youtube.com/watch?v=gZ8fPeZiI9k

            So, you are probably wondering how that previous paragraph ties into this idea of wanting a harder game difficulty. Think of it this way. Some guys beat there dick raw. It’s a fun time, but you don’t do it all the time like that. So, you use lube, and lube is lowering the difficulty in your video game. 

            Hey, playing games should be fun, and we all understand what fun should be. I want to enjoy a game first before I try the harder difficulty. So, why would you torture yourself on the harder difficulty. Trust me, I played Uncharted 4 on the highest difficulty the first time, and I have never played it since. I do think it was challenging and fun, and not a bad send off, but Uncharted 4 should have been three. Just saying.

            So, the thing is, do we all have to play on a Seikero: Shadow dies twice level of painful torment or should Id have stuck to there guns and made it just as difficult as the base game? The Ancient Gods Part 1 is tough, and I see why the community was upset.  

            Not everyone can be From Software, and most game developers shouldn’t do it. Everyone should have fun when they play games, but also, don’t feel like you have to play things on a higher difficulty. 

            If you really like the game, then play it on a higher difficulty. We should all have a choice to play games on a higher difficulty. Serious gamers should go for that level. I’m not going to assume everyone plays on a higher difficulty. The problem is the defeat. Everyone sees that “you failed” or “You died” sign and it usually pushes people away from trying to play on a higher difficulty. 

            I think one bucket list game that I have to try and beat is Dark Souls, because the story and the dense horror atmosphere is worth it. Once you get over dying a lot, that’s not so bad. But then, I just might be denying how hard it is. Most likely, if you had to put a gun to my head, and say, “You have to play this or you will die,” and if I had enough time, I would probably play Wolfenstein 2’s New Colossus’s Mein Leiber difficulty. 

            To sum it all up, the higher difficulty should be an option for everyone, after you play the base game, but I wouldn’t want a hardcore gamer to not play it on the hardest difficulty, because it gives them meaning, and power. They used to give medals for playing on the higher difficulties. But if they don’t anymore, that’s probably why I don’t want to play higher difficulties. 

            But I guess that’s the completionist in me talking. I think I like the idea of taking a big risk for a reward, not just for the ideal of doing it. That’s just how I see risk. But to me, your game difficulty is what you want in video games. There are no rules to any form of art, and how you want to experience a piece of entertainment. You play as hard or you have as much fun as you want. It’s your life, King/Queen. 

-Louis Bruno is the author of more than 15 books, including, The Michael Project, The Michael Project: Book 2: The Lost Children of Eve, Thy Kingdom Come, The Disintegrating Bloodline, Apocalypse Soldier, Hierarchy of Dwindling Sheep. His books can be found on Amazon, Barnes and Noble, and Lulu. He can be found on Gab, https://gab.com/thereallouistbruno, Minds https://www.minds.com/lbruno8063/, and Parlerhttps://parler.com/profile/therealLouistbruno/posts. Instagram @lbrruno8063 and @louisbrunoofficialbook. He has written for the Intellectual Conservative and Ephemere. Also, he writes on https://louisbruno.substack.com, where you can support him directly. His latest, Come Home, Young One, a dark fantasy novel is out now at Lulu.com. Link is here: https://www.lulu.com/en/us/shop/louis-bruno/come-home-young-one/hardcover/product-pw8q7z.html?page=1&pageSize=4.  His next series, City of Sand, will be available sometime this year.

Also available on podcast too: 

www.breaker.audio/the-real-louis-t-brunos-blog

https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy81MDA5ZDY3MC9wb2RjYXN0L3Jzcw==

https://pca.st/504t7jxr

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Asian Hate: the Lie Surrounding AAPI Campaign

30 Mar

-For the Uncensored!

It’s easy to think that while much of Asian communities do share some form of racism, it’s odd to convince me that the fatal shooting of Atlanta, when a gunman did walk into a Asian message parlor and opened fire, on not only Asians, but white people too. I think Asian people faced more hardship being in China, with the derelict and tyrannical Communist Party in China, eating Uigyer Muslims plus imprisoning there own people for thought crimes. It’s impossible to say that racism only exists in America. If we are being brutally honest, Asians do have a lot of advantages in America. Unless being accepted at Yale, which actually happens. If the wisdom of the left with there slogan of AAPI, Asian American Pacific Islander, which is hilarious given that the left do not want to challenge China’s Communist Party and there role in the Corona Virus, in general. *cough* the Communist Party of China created the Corona Virus. *Clearing my throat*

            I don’t think that America is such a bad place. It gave me and my family opportunity just as much as anyone else. It’s why America is called “Land of the Free, Home of the Brave.” We want all good people to have a life in America, legally, but thanks to the Biden Administration making it easier for illegal immigrants to cross our borders, I think Asians have just as much problems as Americans who want to keep America safe. 

            If the power to own a firearm is becoming less available to the public, how are Asians benefitting from a restricted 2nd Amendment. The left think you can solve problems with some coked up zombie with a machete who’s trying to kill you with “feelings.” Having restricted gun laws won’t help Asian Americans at all. No matter how many hashtags woke companies create, such as #stopasianhate, it’s not going to make anyone safe.

            Yeah, save your breath lefties, I know what you think. But there is no evidence of AAPI hatred because there’s something you have to learn about Asian culture. They don’t take compliments well. If you give a Japanese person a compliment they will turn around and walk away. They feel good work doesn’t need praise or compliments, just a personal satisfaction in achievement is worth it. According to the extras in the Star Wars collector’s edition, When a crowded Japanese audience watched Star Wars in 1977, for the first time, they were silent. George Lucas wondered why they were so silent is that if an Asian theater is silent it’s because it’s a masterpiece and a work of art. 

            Lastly, Asians and Pacific Islanders do not need to be coddled. They don’t respect that nor do they find it a good thing. They value criticism and hard work. They want to work hard just as much as any Americans do. And in America, we see no color line. As said in Man’s Search of Meaning, by Victor Frankyl, “I only see two races. The decent and the indecent.” (https://www.youtube.com/watch?v=LaVT5ZQvIps)

            So, with companies pushing racism with AAPI, and not calling out China or the Biden Administration for creating more restricted gun laws against minorities like Asians, is not helping at all.

-Louis Bruno is the author of more than 15 books, including, The Michael Project, The Michael Project: Book 2: The Lost Children of Eve, Thy Kingdom Come, The Disintegrating Bloodline, Apocalypse Soldier, Hierarchy of Dwindling Sheep. His books can be found on Amazon, Barnes and Noble, and Lulu. He can be found on Gab, https://gab.com/thereallouistbruno, Minds https://www.minds.com/lbruno8063/, and Parlerhttps://parler.com/profile/therealLouistbruno/posts. Instagram @lbrruno8063 and @louisbrunoofficialbook. He has written for the Intellectual Conservative and Ephemere. Also, he writes on https://louisbruno.substack.com, where you can support him directly. His latest, Come Home, Young One, a dark fantasy novel is out now at Lulu.com. Link is here: https://www.lulu.com/en/us/shop/louis-bruno/come-home-young-one/hardcover/product-pw8q7z.html?page=1&pageSize=4.  His next series, City of Sand, will be available sometime this year.

Also available on podcast too: 

www.breaker.audio/the-real-louis-t-brunos-blog

https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy81MDA5ZDY3MC9wb2RjYXN0L3Jzcw==

https://pca.st/504t7jxr

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Marvel and Shakespeare: Who would have thought?

30 Mar

-For the Uncensored!

It’s not like Marvel films haven’t been the craze for the last ten years, and while the films are not what I would watch, and aren’t as important to me, it’s interesting to find out that the same publishers who wrote the joke Star Wars Shakespeare books, are now behind this new publication. According to Marvel.com, “This September 28, all four Avengers films (Marvel Studios’ The AvengersAvengers: Age of UltronAvengers: Infinity War, and Avengers: Endgame) will be presented, by Quirk Books, as Shakespearean plays in the ultimate treasury for Marvel fans — William Shakespeare’s Avengers: The Complete Works.” (https://www.marvel.com/articles/culture-lifestyle/william-shakespeare-avengers-complete-works-mcu-quirk-books) Again, Marvel, parterning with Quirk Books, has always found a way to adapt to the culture, but even so, with much of Marvel leaning into SJW momentum and the writers they employ, I am pessimistic to think that Marvel can pull this rabbit out of there hats. 

            Marvel are probably the last people to try and blend Shakespeare into there work, but the next sentence defines the Western world. Shakespeare is the epitome of Western literature, and Marvel is smart to help kids try and get into Shakespeare, and without it, they might be able to stop the oncoming wave of censorious academics who think that Shakespeare was a “racist” and whatever buzz word that they can epitomize.

             The power of Shakespeare still is why people are weirdly attracted to the Bard, and no matter what society will try to do, no one can stop the power of William Shakespeare. I just hope they don’t get censored by some fat overweight pear shaped academic who thinks that they are being racist by basing there work on William Shakespeare. 

            I guess my ire falls on the same people who haven’t been able to produce a single good comic in over a decade. Somehow, Zach Snyder, director of 300, Watchmen, and the recently released Snyder Cut of Justice League, is now a master of cinema, but here’s to hoping that Snyder manages to make Ayn Rand’s The Fountainhead. It’s possible. But again, I have doubts over what Marvel can do anymore, but I’m hoping they don’t ruin Alien in the process.

-Louis Bruno is the author of more than 15 books, including, The Michael Project, The Michael Project: Book 2: The Lost Children of Eve, Thy Kingdom Come, The Disintegrating Bloodline, Apocalypse Soldier, Hierarchy of Dwindling Sheep. His books can be found on Amazon, Barnes and Noble, and Lulu. He can be found on Gab, https://gab.com/thereallouistbruno, Minds https://www.minds.com/lbruno8063/, and Parlerhttps://parler.com/profile/therealLouistbruno/posts. Instagram @lbrruno8063 and @louisbrunoofficialbook. He has written for the Intellectual Conservative and Ephemere. Also, he writes on https://louisbruno.substack.com, where you can support him directly. His latest, Come Home, Young One, a dark fantasy novel is out now at Lulu.com. Link is here: https://www.lulu.com/en/us/shop/louis-bruno/come-home-young-one/hardcover/product-pw8q7z.html?page=1&pageSize=4.  His next series, City of Sand, will be available sometime this year.

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Art and Culture 31: Dante Aligheri Vs. Shakespeare

29 Mar

-For the Uncensored!            

It’s always a odd debate when you pit Dante Alighieri and Shakespeare against one another. There’s always a cringe factory brewing on a legacy media site, like The Guardian, that wants to create conversation about which dead author is better. The Guardian states, “In a comment piece in Frankfurter Rundschau, Arno Wildmann wrote that even though Dante “brought the national language to great heights”, Italian schoolchildren struggled to understand the antiquated verse of his Divine Comedy, which was written in 1320.

The epic poem, which is split into three parts and traces a pilgrim’s journey through hell, purgatory and heaven, was written in the vernacular Tuscan dialect to make it accessible to the masses, instead of Latin. His choice had such a great impact on writers at the time that the Tuscan dialect formed the basis for modern Italian, hence why the poet is known as “the father of the Italian language.” (https://www.theguardian.com/books/2021/mar/29/italians-defend-dante-from-claims-he-was-light-years-behind-shakespeare)

            It’s almost a comment as to the southern writers and who really added more dialect to the southern writers oeuvre, as whether Faulkner, Flannery O Connor, and to be honest, Cormac McCarthy, who everyone thinks is a southern writer, is not by birth. He is merely a transplant to Texas. 

            Dante, according to Wildmann, “was beholden to French medieval troubadours, the poet-musicians who wrote verses on love. “One important difference tends to be overlooked,” Wlidmann wrote. “The troubadours were pop singers, of whose masterpieces only the lyrics survive; Dante aimed to achieve the same effect – without music. He always felt in competition.”

            Now considering the idea that Dante was in competition with anyone is beyond me because in the 1300’s Dante did not have Internet access. Yes, this may be an unfair point, it proves to me that anyone could make this argument if one was so willing, and if Dante was inspired by any outside influence, those influences had to be found by local distributors who allowed Dante access to read the French troubadours.

            It’s mostly about access, and not about whether Dante was in outright competition. To assert that Shakespeare was light years beyond Dante seems Wildman wants to create controversy rather than make real valid points between the two authors. 

            But between Dante and Shakespeare, it’s a debate of how two cultures see there writers as more dominant in the overall culture of writers and how they both offered different skills. Shakespeare. Shakespeare was an actor and Wildman’s reaction is like intellectual dick wagging at who is the better writer or not.

            I would argue that Dante and Shakespeare totally incomparable. Dante was a poet while Shakespeare was a bard, or playwright. It’s typical that Europeans are fighting about this, when we all know American literature is the best.  As Shakespeare said, “To thine ownself be true,” in Hamlet, and I think both writers are both great in there own respects (personally, I would say Paradise Lost by Milton is better than Dante, but that’s for another article).  This is a reminder why when trying to compare two completely different writers, in both form and style, doesn’t always make the best argument.

-Louis Bruno is the author of more than 15 books, including, The Michael Project, The Michael Project: Book 2: The Lost Children of Eve, Thy Kingdom Come, The Disintegrating Bloodline, Apocalypse Soldier, Hierarchy of Dwindling Sheep. His books can be found on Amazon, Barnes and Noble, and Lulu. He can be found on Gab, https://gab.com/thereallouistbruno, Minds https://www.minds.com/lbruno8063/, and Parlerhttps://parler.com/profile/therealLouistbruno/posts. Instagram @lbrruno8063 and @louisbrunoofficialbook. He has written for the Intellectual Conservative and Ephemere. Also, he writes on https://louisbruno.substack.com, where you can support him directly. His latest, Come Home, Young One, a dark fantasy novel is out now at Lulu.com. Link is here: https://www.lulu.com/en/us/shop/louis-bruno/come-home-young-one/hardcover/product-pw8q7z.html?page=1&pageSize=4.  His next series, City of Sand, will be available sometime this year.

www.breaker.audio/the-real-louis-t-brunos-blog

https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy81MDA5ZDY3MC9wb2RjYXN0L3Jzcw==

https://pca.st/504t7jxr

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Art and Culture 30: The Passion of the Christ and the Macrocosm of Cancel Culture

29 Mar

-For the Uncensored!

I guess readers are wondering why I would choose this film as part of an Art and Culture instead of Ancient Culture, because in terms of Jesus’s Last Supper all the way to the Resurrection, What better way than to tackle the 30th Art and Culture column than with such a topic as this. Mel Gibson’s film captured the grace and love of Jesus when his entire life was leading up to the moment of Salvation for the human race. Now, there are a few things to discuss. The film’s impact, its controversy, but also how the film represents the rise of Cancel Culture. 

-The Film

            Released on February 25th, 2004, by second time director Mel Gibson, and the screenplay written by Benedict Fitzgerald (his father Robert Fitzgerald adapted the Odyssey into its most well known poetic verse read today). The film stars Jim Caviezel (Thin Red Line and Person of Interest fame) Maia Morgenstern (as Mary, Mother of Jesus, in her only film role ever) and Monica Belluci as Mary Magdalene (Matrix sequels, The Apartment, Tears of the Sun, and even appearing in a small role in Bram Stoker’s Dracula). Now, let’s get the film and plot out of the way first. It As Mel Gibson said, “He knew this film would divide people” and I think no one was prepared for the way society would see the film. According to IMDB, the budget was “30,000,000” and in the first weekend of Mel Gibson’s Passion debuted at # 1 at the box office making over “83,848,082” and in the United States alone grossed “$ 370,782,930” and worldwide box office “$ 612,054,428.” It was a financial success, while critically it divided critics and the fans, while on IMDB it holds a “7.2” out of 10, which was not great, but it did prove that there was a market for religious films but also making sure it could captivate an audience or create discussion/word of mouth at the same time. (https://www.imdb.com/title/tt0335345/?ref_=fn_al_tt_2) That’s why you saw Darren Aronofsky’s Noah, and Ridley Scott’s underappreciated Exodus story, too. It helped raise awareness of religious films, and how you could show violence in religious films to create a strong purpose for the violence. And Entertainment Weekly, in 2006, June 16th issue, called The Passion of the Christ, the most controversial film of all time, at there number 1 spot. But why did this happen?

Mel Gibson faced unmanageable hurdles trying to make the film. No one wanted to distribute the film and studios thought it was “blasphemous” when in everyone’s mind, whoever has read the New Testament, knows this story backwards and forwards. With Icon Productions, Gibson’s company, he produced the film himself and set up distribution deals with theaters, himself. 

            What Mel Gibson did was shock the world. Many films focused on Jesus wouldn’t have taken such a bold direction in where Gibson showed us. He not only showed the horror of ancient culture, but how brutal it was, in film. It’s the film that proves, even with one viewing a year, you get more than you think. I watch it every year on Passion Friday, as I think it’s a film that serves as Jesus’s last will and testament to the people of the world who are suffering, and you would think, in the film, it serves as a time capsule to Mel’s devotion to Jesus’s Passion.

            What Gibson did is show the brutality and the sacrifice Jesus took upon, as it used the oldest trick of film and literary knowledge, In Medias Res, as it did portray not only a spiritual Jesus, but focused on the human side. It details Judas’s betrayal and suicide, as well as Peter betraying Jesus three times. It even shows Lucifer, who was tempting Jesus, to give up on his cross. What this film does different is play into the horror movie side of the Passion, as even Judas, is haunted by devils. There’s a moment in the film where Mary sees Satan in the crowd, and Lucifer’s smile is almost mocking Mary. 

            Even Pontius Pilate is given far more depth than any Passion play could produce. The scourging is one of the most criticized moments of the film. While many would say, “if the violence was not in the film, it wouldn’t highlight Jesus’s commitment to save humanity” and the other would say “it’s too violent.” But they give no reason as to why it’s too violent. It’s probably because those watching can’t face there sin, as even one of the Rabbi’s is disgusted by the violence and walks away. It’s probably what a lot of people did who weren’t prepared for it, but if you didn’t think scourging was bad, then you didn’t think to look up the term Passion. Passion, or Pati in Latin, means to suffer. 

            Satan, in the film, is bald, and is played by a woman. I think it’s interesting to say that Mel, casting Satan as a woman, and bald, plays apart of how Satan can be androgynous to most people. 

            With excellent cinematography by Caleb Deschanel and Gibsons Directing, and acting by all the players in the film, as we probably get one of the most intense falls in a passion play ever made. As she remembers a time when Jesus fell as a child, she runs to him, and he says the words, “I will make everything new.”

            To religious scholars, those words are not said in any of the gospels in the Passion Play, but spoken in Revelation, as Jesus sits on his throne in Heaven. It’s a scene that works every single time I watch it. I sit there, and I think “this is a debt I can’t pay.” 

            I think it’s impossible to understate the way the scene plays out. Everybody who watches it is affected by it. It confirms something deep and cerebral that Christians don’t talk about. At the second when all should feel hopeless, it even ties in the soldier who is to pierce Jesus in the side, as he says, “Who is that?” The scene plays out like someone watching it in real time, as the soldier then becomes a convert later on. 

            It’s hard to talk about this film without feeling emotional. It’s a film that doesn’t work on intellectual conversation, but showing through action of Jesus’s faith in what he must do in order to achieve his goal. 

            But even Mel Gibson shows what’s in front of him as he’s on the Via Delarosa. In Latin, it means the road of suffering. Even Veronica, who washes Jesus’s face, makes an appearance. It’s amazing how even I know that they didn’t pierce Jim Caviezel’s hand, it still works, every time. I get this feeling that I can’t owe the debt to which Jesus paid. 

            Jim Caviezel was in his peak physical shape to play Jesus. Another scene that people talk of is the end, after he is taken down from the cross, and Mary looks into the camera. It’s probably one of the most haunting stares in all of cinema. As Mary almost looks at us as we are to blame for what happened to Jesus. And in a sense, it’s right. But the Resurrection scene, as he walks up out of the grave, with a hole in his hand, and begins his journey into the underworld.

            And as the Rapper The Game said, on My Life, “hate it so much Passion of Christ need a sequel.” Reportedly, Mel is making a sequel to the Passion, as of today, the IMDB page, as of writing, is set for 2022 release.

-Themes of Cancel Culture in the Passion of the Christ

With the film out of the way, this s where much of the Cancel Culture aspect plays into life, not just the film. Consider being Jesus, when you are the Son of God, and nobody wants to believe it. Scorned, beaten, and crucified, and for being the Son of God. Even Pontius Pilate, when he’s asked the crowd of Rabbi’s and Jews to pick between Barabbas and Jesus, they choose Barabbas. It’s hard to consider this scene without thinking about how Cancel Culture is very much the same way.

            Peter and Judas are part of a larger scheme when it comes to Cancel Culture. Judas betrays Jesus, and he can’t take it back. When he tries to return the money, he knows that he can’t stop it. Peter denies Jesus three times, as Jesus told him he would do. Sometimes, we don’t even think about these things. 

            We turn on each other all the time, and at least Peter asked Mary for forgiveness. Cancel Culture today is not a physical death. It’s not a death that people face physically, but emotionally. Families are torn apart and they deny each other. With these two examples of Peter and Judas, they represent the gamut of how Jesus’s death represents a way of Cancel Culture, at its most ancient form. 

            Peter denied Jesus because of fear of being attacked by a mob. It’s no different when friends turn on each other today on social media. Cancel Culture plays a part of mob hysteria, and it’s no different when Jesus was betrayed. 

            Friends, and the disciples, except John, Mary, and even Mary Magdalene are the only three who follow Jesus to the end. 

            Ancient Cancel Culture meant far worse. If Jesus had just escaped and lived a happy life, it wouldn’t mean much. Much of suffering is created by a mob who want vindication and to be told what to think and feel. 

            It’s no different when the mob turned on Jesus. Social Media is no different. We praise the worst people over the innocent. It’s in human nature to turn against each other, but is it worse when you die a physical death, like Jesus. But today, the idea of praising someone like Barabbas is why Cancel Culture has always played apart of the human psyche. We chide what’s wrong and praise what’s right. 

-The Controversy and Society as a Whole

Yes, yes, I know, detractors always bring up Mel Gibson’s drunken rant to a cop, but to me, he didn’t break a law. He didn’t shoot someone. Now, for people out there who want to call Mel Gibson an “ant-semite” are the same people who never learned what it was like to forgive. Hollywood and the elitists canceled Mel Gibson, as to some imaginary reason that this film promoted anti-Semitism (which it doesn’t and you’ll probably find more anti-Semitism in a Phillip Roth novel than Mel Gibson’s film. Besides if Mel was drunk, he gets a free pass, but even I doubt the situation even happened). The media tormented Mel for years, and while he was exiled, this is when Mel faced more than enough harassment from the media. They didn’t care about the film in the end, but Gibson exile is apart of grand scheme of Cancel Culture, too. 

            Who made the media judge, jury, and executioner? This is when I saw what Hollywood really was. They exiled there most talented to promote people like an untalented sow like Lena Dunham. It’s easier to pretend why the controversy should matter, but it’s when Mel was treated worse than any movie star ever was. Brando made similar comments during the 90’s, about how “Jews controlled the business” and he went away for a long time, and then Hollywood accepted him again. 

            Today, it’s much different. Good thing Mel got in trouble when he did, but now, in America, we are facing persecution from liberal biased media that will go out of there way to ruin lives, but praise Cardi B for “WAP” instead of Dr. Seuss. Even Gina Carano’s exile from the hit Disney + show the Mandalorian, as it’s rumored she is coming back to the hit Star Wars show, but we’ll find out later.

            From 2016-2020, persecution in America by social media mobs, overrated dead celebrities with a career one foot in the ground, and musicians thinking they can go back to playing imaginary characters, need to be reminded of how if the American public can be cancelled, so can celebrities too. 

            But if you have followed Jesus, you know what it’s like to be persecuted. But to be cancelled, to be constantly reminded of your sin, and not letting you be able to recover, is part of a larger problem than just being whipped and crucified. Plus, the way the media attacked Mel over and over for 10 years was when I stopped paying attention to the media, and started following my own path. As persecution still exist, and cancel culture is accepted by the liberal media, 

Final Analysis:

            If Cancel Culture is not rejected by most of the world, then persecution will not only happen at a mental level, but physical as well. With this being the week of Jesus’s Passion, let’s all take time to reflect on how we should treat each other. If you didn’t learn anything from the Passion of the Christ, it was to treat each other fairly and not be judge, jury, and executioner. No one knows what we really go through, not from a Tweet, and people shouldn’t be exiled for what they say either.      

-Louis Bruno is the author of more than 15 books, including, The Michael Project, The Michael Project: Book 2: The Lost Children of Eve, Thy Kingdom Come, The Disintegrating Bloodline, Apocalypse Soldier, Hierarchy of Dwindling Sheep. His books can be found on Amazon, Barnes and Noble, and Lulu. He can be found on Gab, https://gab.com/thereallouistbruno, Minds https://www.minds.com/lbruno8063/, and Parlerhttps://parler.com/profile/therealLouistbruno/posts. Instagram @lbrruno8063 and @louisbrunoofficialbook. He has written for the Intellectual Conservative and Ephemere. Also, he writes on https://louisbruno.substack.com, where you can support him directly. His latest, Come Home, Young One, a dark fantasy novel is out now at Lulu.com. Link is here: https://www.lulu.com/en/us/shop/louis-bruno/come-home-young-one/hardcover/product-pw8q7z.html?page=1&pageSize=4.  His next series, City of Sand, will be available sometime this year.

Note from Louis: Thanks so much for reading my articles and being such a constant reader, and listening to my podcasts. I usually write two to three articles a day during the week, but one to two on the weekends. Also, if you haven’t already, please subscribe, share the articles. All help is appreciated. If you do subscribe, you can have access to top tier articles and reviews, and also grow my page to help keep stay corporations mad all day. The war for freedom of speech starts with us.

Also available on podcast too: 

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Music/Soundtrack Reviews # 1: Max Payne 3 by Health

28 Mar

-For the Uncensored!            

Now, there are many things to discuss when it comes to Max Payne, and as I made the case that Max Payne 3 is one of the greatest finales in all of video game history, not on a technical viewpoint, but on a musical scale too. What makes Health’s synth soundtrack of Max Payne 3, almost synonymous with the game is that every time I play it, there’s a sickening feeling I get. Not in a bad way. 

            Music for the last fifty years has always fell into the cliché of having to make scenes that fall flat emotionally work. We all have heard that type of orchestral background music that sometimes makes the film more important than it should be. You wouldn’t be remiss if you thought of every 80’s comedy that had to make the scene funnier than it should with the music acting as a scale to help make the shitty lines delivered funnier, or help create a mood that isn’t funny. Like, no one thinks of great the Weekend at Bernie’s score is to know that the hilarity of the film is won through the acting and the scenes the cast play. So, music, in that film is secondary, and the story is key.

            What Health understood about Max Payne is that the iconic theme song to Max Payne is integral to the video games series. If you didn’t hear Georgio Morodors classic synth music to Midnight Express (1978) or Scarface (1983), as the music to both films matters that you can’t separate the two. Health demonstrates the emotional beats of Rockstar’s game as they didn’t even translate the Spanish dialogue almost isolating you, and the synth sounds have to serve as a comfort to Max and the player. If Health fucked up the soundtrack, the fans, including myself, would notice it.

            When there is house music playing, you get that Max doesn’t like it, and it’s far less inviting, as it’s meant to hinder Max’s psyche. In the panama scene, in Chapter 12, he’s working security for Raul Passos, but as you wake up from a hangover, you have to shoot your way out of the boat. The music gives you that creepy feeling as even the narrator, Max, has to remember the past, questioning his line of thinking. 

            What Health accentuates is the tension, fear, and paranoia of being lost, alone, isolated, and what Max goes through is only accentuated through the synth wave sounds. There are moments when Max can play a piano, in the middle of the game, and he plays the theme song from the series. It’s pretty fun.

            But to me, all of the sound and synth create this dramatic effect where as I’m watching Max Payne 3 on YouTube, it brings back the danger and action that is embedded with the violence and story. It’s one of the only game soundtracks that is integral to Rockstar’s finale to a great game, but the synth sweetens the deal.

            I would also list Health’s synth achievement with Vangelis’s Blade Runner soundtrack, too.

            All of the soundtracks I listed, Health brings together, as much of the game’s story is meant to be a blur, as strobe of lights appear around Max, as if it’s to represent broken memories that are coming together. When the synth plays, it brings all of Max’s sins into the foreground, as he’s the doomed detective, and everyone he tries to protect dies, the synth heightens the sadness of Max’s journey through Sao Paulo’s rich parties, slums, and ultimately through the soundtrack, Max’s redemption.

-Louis Bruno is the author of more than 15 books, including, The Michael Project, The Michael Project: Book 2: The Lost Children of Eve, Thy Kingdom Come, The Disintegrating Bloodline, Apocalypse Soldier, Hierarchy of Dwindling Sheep. His books can be found on Amazon, Barnes and Noble, and Lulu. He can be found on Gab, https://gab.com/thereallouistbruno, Minds https://www.minds.com/lbruno8063/, and Parlerhttps://parler.com/profile/therealLouistbruno/posts. Instagram @lbrruno8063 and @louisbrunoofficialbook. He has written for the Intellectual Conservative and Ephemere. Also, he writes on https://louisbruno.substack.com, where you can support him directly. His latest, Come Home, Young One, a dark fantasy novel is out now at Lulu.com. Link is here: https://www.lulu.com/en/us/shop/louis-bruno/come-home-young-one/hardcover/product-pw8q7z.html?page=1&pageSize=4.  His next series, City of Sand, will be available sometime this year.

Note from Louis: Thanks so much for reading my articles and being such a constant reader, and listening to my podcasts. I usually write two to three articles a day during the week, but one to two on the weekends. Also, if you haven’t already, please subscribe, Thank you so much. All help is appreciated. If you do subscribe, you can have access to top tier articles and reviews, and also grow my page to help keep stay corporations mad all day. 

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Ancient Culture # 4: The Difference Between the Old and New Testament

27 Mar

-For the Uncensored!

There are many ideas presented in both the Old and the New Testament. The Old Testament represents a lifestyle, as it holds a creation story, flood story, exodus from Egypt, construction tips for the ark, and the ark of the covenant, that held the testament of Moses when he wrote the ten commandments. Then, it also details the journey of the Twelve Tribes of Israel, as they have to decide where to go after there exodus from Egypt, but also certain details the families that come together and then depart. It’s like I read a list of the Jewish Crime families when I read the details of their lives. 

Even King David sent a soldier to die off in a suicide mission so he could steal another man’s wife. I mean, much of what the Bible tends to do is give a plethora of what a nation of people, all written down in one book, have to do in order to lead themselves out of barbarity. Much of what the Old Testament gives is the bylines, and a set of rules that people should live by. If much of the stories in the Old Testament, not only represent a way of life, but offerings, and how they sacrificed animals to show there appreciation for God. The Old Testament is the summary of the Jews, and how they split off into different factions. The big key difference is that they are all looking for there messiah, in the Old Testament. But all are supremely flawed. 

It’s probably the New Testament that gives less depth overall to the Old Testament, that which many would say that it’s without much of the stories that make up the Old Testament. It seems that the writers, Matthew, Mark, Luke, and John, were focused on creating a single narrative on the life of Jesus of Nazareth. Jesus’s life is meant to be the epitome of all the Tribes of the Old Testament, as even Moses leadership is called into question. 

Jesus is meant to be the Alpha and Omega. It’s probably the reason why there’s much debate as to how much the New Testament relates to the Old. I would argue that the Eppiphas episode, where Solomon talks to the demon Eppiphas, is what can create connections between the old and new testament. (For those wondering, Eppiphas is not in the bible, as it is supposed to take place after he divides the baby in half).

It’s hard to hear this without thinking that there could be a connection that bridges, or similarities between the Old and the New Testament. But without this debate of how influential the Bible is on modern society, can’t be taken away. If the Bible wasn’t important, why is there a statue of Moses in the Library of Congress? It’s because writing and religious texts are influential. 

-Louis Bruno is the author of more than 15 books, including, The Michael Project, The Michael Project: Book 2: The Lost Children of Eve, Thy Kingdom Come, The Disintegrating Bloodline, Apocalypse Soldier, Hierarchy of Dwindling Sheep. His books can be found on Amazon, Barnes and Noble, and Lulu. He can be found on Gab, https://gab.com/thereallouistbruno, Minds https://www.minds.com/lbruno8063/, and Parlerhttps://parler.com/profile/therealLouistbruno/posts. Instagram @lbrruno8063 and @louisbrunoofficialbook. He has written for the Intellectual Conservative and Ephemere. Also, he writes on https://louisbruno.substack.com, where you can support him directly. His latest, Come Home, Young One, a dark fantasy novel is out now at Lulu.com. Link is here: https://www.lulu.com/en/us/shop/louis-bruno/come-home-young-one/hardcover/product-pw8q7z.html?page=1&pageSize=4.  His next series, City of Sand, will be available sometime this year.

Note from Louis: Thanks so much for reading my articles and being such a constant reader, and listening to my podcasts. I usually write two to three articles a day during the week, but one to two on the weekends. Also, if you haven’t already, please subscribe, donate, like my articles and comment, buy my books, leave a review. Sharing the articles and podcasts helps above all can help if you can’t donate, too. Thank you so much. 

www.breaker.audio/the-real-louis-t-brunos-blog

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https://pca.st/504t7jxr

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A Response to Killer Mike: “Folks should want Amazon Unions because you won’t get crap deliveries”

26 Mar

-For the Uncensored!

ATLANTA, GA – MARCH 02: Killer Mike attends “Storytime with Legendary Jerry” on March 02, 2020 in Atlanta, Georgia. (Photo by Prince Williams/Wireimage)

The more I think about Amazon and how there are very limited opportunities other than to work at Amazon, I do find Killer Mike’s claims, according to TMZ, of “Folks should want Amazon Unions because you won’t get crap deliveries” is fucking absurd. Fucking Absurd. Don’t lecture the people about what they want and then weigh in on your stupid opinions concerning “deliveries.” No thanks Mike, just stick to rapping, but I guess you can’t do that anymore. I don’t want your opinions on what companies should treat there workers. I definitely don’t want Amazon to create unions unless they can help pay people for the overtime they don’t get paid for, and newsflash, if everyone can’t get overtime, it creates friction between the company and the workers. The delivery drivers are tired as shit by the end of the day, and you expect people to want unions? When unions look into workers private information, with the Equality Act and you think that would be a good idea. 

            Well, Mike, if you want this so bad, please go work for them yourself. Yes, Killer Mike, put your money where your mouth is, and go work at Amazon for a day and then tell me why I should when they could start there own business, but that’s not feasible under a Biden Administration, and the party that will shut down America because they hated Donald J. Trump . I don’t think people should listen to you or any celebrity when it comes to business. 

            If you ever had to work a real job in your life, maybe you wouldn’t be speaking so loudly. 

            And tbh, (To Be Honest), you and the rest of the entertainment biz don’t deserve our money after you and your friends made it hell for Trump Supporters and everyday people. You all deserve to go broke while people are forced to work at Amazon. I’m definitely for workers getting better jobs, but not at sacrificing smaller businesses just so that you. Killer Mike, can get your Prime deliveries delivered on time. 

            If I can wait for a few days for my package, so be it. Trust me, it pains me to consider using Amazon, but they go with the “Blue Magic theory,” obviously taken by a career criminal like Frank White. Overstock your product and sell it at half price, but make up for it in Amazon memberships. Yes, make it so hard for smaller businesses to compete, and drive out your competitors. I get it, you want something fast, but don’t force American workers to pay the price for your asshole comments. Good thing you aren’t a Senator because I wouldn’t vote for your dumb ideas you spout online. You definitely don’t deserve a social media account.

If you don’t believe me, the new Pro Act has many key changes to unions, according to Littler.com, it states “Limit the ability of employers to contest union election petitions and allow unions to engage in coercive tactics long held to be unlawful.” (https://www.littler.com/publication-press/publication/pro-act-would-upend-us-labor-laws-non-union-and-unionized-employers)

So someone like Killer Mike, who in interested in Amazon workers, want unions so workers don’t have the ability to contest elections and “allow unions to engage in coercive tactics.” And Amazon censors artists and writers and thinkers so I thought you would not want to support a business that would put your art in jeopardy.

            Trust me, Run the Jewels died at the third album, I didn’t even bother buying the fourth, which sucked major donkey ball sack. 

-Louis Bruno is the author of more than 15 books, including, The Michael Project, The Michael Project: Book 2: The Lost Children of Eve, Thy Kingdom Come, The Disintegrating Bloodline, Apocalypse Soldier, Hierarchy of Dwindling Sheep. His books can be found on Amazon, Barnes and Noble, and Lulu. He can be found on Gab, https://gab.com/thereallouistbruno, Minds https://www.minds.com/lbruno8063/, and Parlerhttps://parler.com/profile/therealLouistbruno/posts. Instagram @lbrruno8063 and @louisbrunoofficialbook. He has written for the Intellectual Conservative and Ephemere. Also, he writes on https://louisbruno.substack.com, where you can support him directly. His latest, Come Home, Young One, a dark fantasy novel is out now at Lulu.com. Link is here: https://www.lulu.com/en/us/shop/louis-bruno/come-home-young-one/hardcover/product-pw8q7z.html?page=1&pageSize=4.  His next series, City of Sand, will be available sometime this year.

Note from Louis: Thanks so much for reading my articles and being such a constant reader, and listening to my podcasts. I usually write two to three articles a day during the week, but one to two on the weekends. Also, if you haven’t already, please subscribe, donate, like my articles and comment, buy my books, leave a review. Sharing the articles and podcasts helps above all can help if you can’t donate, too. Thank you so much. 

www.breaker.audio/the-real-louis-t-brunos-blog

https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy81MDA5ZDY3MC9wb2RjYXN0L3Jzcw==

https://pca.st/504t7jxr

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The Tale of Two Reporters: Jennifer Rubin and Yamiche Alcindor Cat Fight over the Facts!

26 Mar

-For the Uncensored!

An Actual picture of the Rubin and Alcindor fighting on Twitter

While much of the news coverage has been favorable toward Joe Biden, everyone with a brain knows what a disaster it has been for him. But even so, the confirmation of my beliefs that this is a disaster only gives more weight when two reporters, Yamiche Alcindor, for PBS News Hour and Jennifer Rubin, for the Washington Post, who are both liberal, but Ms. Alcindor was picked to ask questions by the Biden Administration and her question was fairly simple, as Ms. Alcindor states, “You’ve said over and over again that immigrants shouldn’t come to this country right now … That message is not being received,” Alcindor began. “Instead, the perception of you that got you elected — as a moral, decent man — is the reason a lot of immigrants are coming to this country and are trusting you with unaccompanied minors. How do you resolve that tension and how are you choosing which families can stay and which ones can go … and is there a timeline for when we won’t be seeing these overcrowded facilities run by CBP when it comes to unaccompanied minors?” (https://www.foxnews.com/media/washington-post-jennifer-rubin-pbs-yamiche-alcindor-biden-press-conference)

            Now, this is what a reporter should do. They damn near fact checked every statement Trump ever said, and they should hold themselves up to the same notion of criticizing Biden. Which is a good thing, and should happen. I think the left now realize if they don’t start doing there job, they will find out they have no readers left. But the question is, since Ms. Alcindor said this, Jennifer Rubin, “a former conservative-turned Biden fanatic” said “there is no uptick.” Meaning no border crisis. Which is factually wrong, Ms. Rubin.

            Jennifer Rubin is an idiot. She spent the last four years complaining on Twitter only to confirm what I know. Jennifer Rubin went “full retard” when defending Biden as there is substantial evidence for discontent toward Biden, from immigrants at the border. And I take it that Jennifer doesn’t get outside much or even try and do her job, but I’m here to say that Jennifer Rubin is in complete denial over the facts surrounding Biden and the border crisis. 

            Ms. Alcindor is actually doing her job (for once), and reporting the malcontent of immigrants who were sold a lie by President Biden. This is why Jennifer Rubin is a joke on Twitter. Another moronic false idol that sits in front of her keyboard, and doesn’t actually do research or try to see outside her bubble.

-Louis Bruno is the author of more than 15 books, including, The Michael Project, The Michael Project: Book 2: The Lost Children of Eve, Thy Kingdom Come, The Disintegrating Bloodline, Apocalypse Soldier, Hierarchy of Dwindling Sheep. His books can be found on Amazon, Barnes and Noble, and Lulu. He can be found on Gab, https://gab.com/thereallouistbruno, Minds https://www.minds.com/lbruno8063/, and Parlerhttps://parler.com/profile/therealLouistbruno/posts. Instagram @lbrruno8063 and @louisbrunoofficialbook. He has written for the Intellectual Conservative and Ephemere. Also, he writes on https://louisbruno.substack.com, where you can support him directly. His latest, Come Home, Young One, a dark fantasy novel is out now at Lulu.com. Link is here: https://www.lulu.com/en/us/shop/louis-bruno/come-home-young-one/hardcover/product-pw8q7z.html?page=1&pageSize=4.  His next series, City of Sand, will be available sometime this year.

Note from Louis: Thanks so much for reading my articles and being such a constant reader, and listening to my podcasts. I usually write two to three articles a day during the week, but one to two on the weekends. Also, if you haven’t already, please subscribe, donate, like my articles and comment, buy my books, leave a review. Sharing the articles and podcasts helps above all can help if you can’t donate, too. Thank you so much.

 

Also available on podcast too: 

www.breaker.audio/the-real-louis-t-brunos-blog

https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy81MDA5ZDY3MC9wb2RjYXN0L3Jzcw==

https://pca.st/504t7jxr

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